Kim NALLEY 1999
Kim Nalley, recently awarded as one of the "Ten Most Influential African Americans in the Bay Area," is an internationally acclaimed jazz & blues vocalist, actress, bandleader and producer currently residing in San Francisco after several years in Europe.
Kim Nalley in looks and presence is often eerily reminiscent of Billie Holiday but vocally she packs a 3 1/2 octave range that can go from operatic to gritty blues on a dime, projection that can whisper a ballad yet is capable of filling a room with no microphone and the ability to scat blistering solos without ever losing the crowd's interest or the intense swing. Her singing is most reminiscent of the former Basie Singers Helen Humes & Joe Williams with a dash of Dinah Washington and occasional nods to Ella, Sarah and Nina Simone.
A born singer, as child Nalley was taught piano by her great-grandmother and later attended the Educational Center of the Arts studying Opera and Theatre. Relocating to San Francisco in the footsteps of the Greatful Dead, she sang every night in small dives to pay her way through UC Berkeley and learned to sing jazz the old fashioned way, at the jam session. Music critic Phil Elwood and San Francisco Symphony director Michael Tilson Thomas first bought Kim Nalley to national attention. Since then her collaborations and performances include Rhoda Scott, David Fathead Newman, James Williams & Michael Tilson Thomas and the San Francisco Symphony, She has performed at most of the major jazz festivals in United States Europe Japan and Canada including Monterey, Umbria Jazz and Lincoln Center.
She is the producer of several successful historiographical concerts in various venues including her award-winning "Ladies Sing the Blues ™," "She Put a Spell on Me: Tribute to Nina Simone," which was just released as a live CD and shortlisted for a Grammy and the multimedia presentation Black History Month Concert Series. As an actress she recently starred as Billie Holiday in the dramatic play "Lady Day in Love," Blues Speak woman in Zora Neal Hurston's "Spunk" and has starred in Teatro Zinzanni as Madame Zinzanni a role subsequently filled by Joan Baez and Sandra Reeves-Phillipes. A trip to San Francisco is often said not be complete without hearing Kim Nalley perform.
Kim Nalley in looks and presence is often eerily reminiscent of Billie Holiday but vocally she packs a 3 1/2 octave range that can go from operatic to gritty blues on a dime, projection that can whisper a ballad yet is capable of filling a room with no microphone and the ability to scat blistering solos without ever losing the crowd's interest or the intense swing. Her singing is most reminiscent of the former Basie Singers Helen Humes & Joe Williams with a dash of Dinah Washington and occasional nods to Ella, Sarah and Nina Simone.
A born singer, as child Nalley was taught piano by her great-grandmother and later attended the Educational Center of the Arts studying Opera and Theatre. Relocating to San Francisco in the footsteps of the Greatful Dead, she sang every night in small dives to pay her way through UC Berkeley and learned to sing jazz the old fashioned way, at the jam session. Music critic Phil Elwood and San Francisco Symphony director Michael Tilson Thomas first bought Kim Nalley to national attention. Since then her collaborations and performances include Rhoda Scott, David Fathead Newman, James Williams & Michael Tilson Thomas and the San Francisco Symphony, She has performed at most of the major jazz festivals in United States Europe Japan and Canada including Monterey, Umbria Jazz and Lincoln Center.
She is the producer of several successful historiographical concerts in various venues including her award-winning "Ladies Sing the Blues ™," "She Put a Spell on Me: Tribute to Nina Simone," which was just released as a live CD and shortlisted for a Grammy and the multimedia presentation Black History Month Concert Series. As an actress she recently starred as Billie Holiday in the dramatic play "Lady Day in Love," Blues Speak woman in Zora Neal Hurston's "Spunk" and has starred in Teatro Zinzanni as Madame Zinzanni a role subsequently filled by Joan Baez and Sandra Reeves-Phillipes. A trip to San Francisco is often said not be complete without hearing Kim Nalley perform.
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